Wednesday, November 23, 2011

A FINE LIKENESS BY SEAN MCLACHLAN

I met Sean McLacklan years ago when I first started out as a writer and was awed by his grace, his humor, and his amazing turn of a phrase. Sean travels the world and writes about his adventures for several different travel blogs and is a solid history buff, like myself. I'm so excited to introduce his full length novel "A FINE LIKENESS" and am delighted to feature him here.

A FINE LIKENESS
by Sean McLacklan

Civil War Missouri: a great setting for a novel

A Confederate guerrilla and a Union captain discover there’s something more dangerous in the woods than each other.

This is the idea behind my Civil War novel A Fine Likeness, set in Missouri in 1864. That particular time and place made a perfect setting. Take that rebel guerrilla, Jimmy Rawlins, and that Union captain, Richard Addison. They exemplify the divisions that tore Missouri apart. While the majority of Missouri’s urban population was Unionist, rural Missourians generally supported the Confederacy. Jimmy is the teenaged son of a poor farmer from the Ozarks. Addison is a successful shopkeeper in Columbia, a small city in central Missouri.

Their two different worlds had been clashing since before the war, when during Bleeding Kansas, proslavery bushwhackers invaded Kansas to kill abolitionists, and abolitionist Jayhawkers rode into Missouri to kill slave owners and free their slaves. Once the war started in earnest in 1861, the Union army quickly took control of Missouri, but the countryside remained in rebellion. The bushwhackers now turned their wrath against Union troops and Jimmy, an impressionable young man, joined them. Addison, like many Missourians, wanted nothing more than to stay home, yet as the war laid waste to the countryside, he realized he needed to do his part.

In 1864, after almost three years of Union occupation, the Confederate army returned. Marching north from Arkansas, they swept aside the scattered Union forces and approached Columbia. Jimmy and his fellow bushwhackers busied themselves with attacking Union outposts, cutting telegraph wire, and burning bridges in support of the Confederate invasion.

Enter Bloody Bill Anderson, the deadliest of the bushwhackers and a real historical figure. In 1864 he burned, shot, and scalped his way through central Missouri in an orgy of killing that shocked even some die-hard bushwhackers. Various guerrilla bands joined him, including Jimmy and his young friends.

And this is where the tale really becomes fictional. Bloody Bill is part of an occult conspiracy sacrifice a Union prisoner in a hellish ritual to raise the Confederate dead. Jimmy discovers Bloody Bill’s plans and has to choose between his conscience and his loyalty to the rebel Cause. Meanwhile Captain Addison gains the support of rival occultists who want to stamp out the evil arising in the woods of Missouri.

As anyone who reads Minnette Meador’s novels knows, history is a rich mine for story ideas. I found Civil War Missouri to be the mother lode. The conflicts of North vs. South, urban vs. rural, rich vs. poor, and Order vs. Chaos create a rich backdrop of narrative tension. Add in Bloody Bill Anderson, a real person who looks like he just stepped from central casting for a slasher flick, and you have the beginnings of a story.

A Fine Likeness is available at Amazon, Amazon UK, Amazon DE, and Amazon FR. In the next couple of days it will appear on Barnes & Noble and Smashwords. A print edition is coming in early December. Drop by my Civil War blog, Twitter feed, and Facebook page to learn more about me, my novel, and my history and travel writing.


Sean McLachlan, freelance author and blogger
gadling.com
civilwarhorror.blogspot.com/
Twitter: @WriterSean
A Fine Likeness: Civil War novel
American Civil War Guerrilla Tactics (Osprey, 2009)







EXCERPT


CHAPTER ONE

September 19, 1864
The road between Rocheport and Columbia
Boone County, Missouri

Jimmy Rawlins gripped his rifle and hoped his friends couldn’t see his hands shake. Peering through the underbrush, he scanned the dirt road’s gentle curve as it disappeared around an outcropping of rock topped by a tall oak. That was the way to Rocheport, the way the supply wagon would come.

He darted a glance to either side to check if everyone was in position, hidden in the thick forest that pressed in on the road like a green wall. Elijah Bogan lay underneath a dense shrub to his left, a pale blonde boy of seventeen with a broken-toothed grin on his face and a Colt six-shooter in his hand. He was close enough that Jimmy could have touched him, but barely a third of his body was visible through the leaves. Jimmy knew Hugh and Albert Milligan lay further away but couldn’t see them at all.

To his right, Morgan Whiteside nestled against a spreading black oak, his dark features set in concentration as he aimed down the double barrels of his shotgun. Past him crouched the Kid, barely a shadow in the dim half-light of the forest.

Morgan looked at Jimmy’s hands and grinned. Jimmy gripped his rifle tighter to stop them shaking as Morgan nudged him and made a startled face, shaking all over like he’d seen a ghost. Jimmy frowned and looked back down the sights of his rifle, squinting as his eyes adjusted to the bright midday glare of the open road.

Calm down, Jimmy told himself. Waiting is the worst part. Think of something nice. See that rock by the bend? Looks like the one you and Eliza used to sit on down by Squaw Creek. Wish I was there now. Quiet, you got your duty. You’re no slouch, not like that Henry Gibbs who’s always sparking Eliza with his fine ways and nice horses. Henry Gibbs never did a damn thing for the South. What’s his business kissing Eliza at the corn shucking? Sh. Quiet now. Don’t get mad. Got to be calm in a fight, not mad.

A thin brown haze smudged the blue sky beyond the bend.

The wagon? Riders too, by the looks of it. If it’s too many don’t risk it. Morgan will call you yellow but he knows you ain’t. Aw, but why do my hands always shake?

An open-topped wagon rattled around the bend, flanked by five riders wearing blue. The riders carried muskets and peered into the underbrush.

Let ‘em get close. The boys will wait for your shot. They respect you. They voted you captain because you’re the toughest (except for Morgan) and the smartest (except for Elijah) and at nineteen you’re the oldest.

Well, nineteen next month.


The driver sat stoop-shouldered in his seat, sweat staining his blue uniform black, a forage cap shading his eyes from the heavy sun. He let the horses have their reins, not bothering to hurry them. The creak of wagon wheels and the soft clop of hooves on dirt grew louder in Jimmy’s ears, as did the rising whir of the cicadas sounding out from the forest. Jimmy aimed for the driver’s head. The sight on his rifle tracked the man’s slow progress along the road. Jimmy’s hands no longer shook.

Just a few more feet. You’re fine. Do it just like last time. But you almost got killed last time. Sh. None of that. Think of something nice. Eliza sitting on that rock and dipping them pretty white legs in Squaw Creek. Eliza and Henry kissing at the corn shucking. That yellow, sneaking son of a. . . Sh. All serene.

Jimmy squeezed the trigger and a loud crack jabbed his eardrums. Through a gritty plume of smoke he saw blood erupt from the driver’s neck. The man jerked to the side, fell off his seat, and got crushed under the wheel of his own wagon.

“Bushwhackers!” one of the riders shouted.

The forest lit up with the flashes of rifles and pistols. One rider toppled off his saddle with a bullet in his forehead. Morgan leapt to his feet with a rebel yell and set off his shotgun. The blast from the first barrel hit a soldier and his mount. The horse reared, screaming, and Morgan let loose with the second barrel, horse and rider toppling over. Bullets grazed two other horsemen and they flinched in their saddles.

The sole rider who hadn’t been hit raised his rifle and cocked it with his thumb. Jimmy threw down his own rifle and drew a pair of pistols.

Morgan bellowed and ran into the road, blazing away with a revolver at the man about to fire. The rider’s shot went wild as Morgan hit his arm. The soldier ducked in his saddle and yanked on the reins with his good hand, hollering as Morgan shot him in the side. He dug his spurs into his horse’s flanks and galloped down the road. His two comrades sped after him.

Jimmy leapt out into the open and fired at the receding figures. His friends did the same. Once or twice a rider jerked in his seat, but all managed to keep a hold of their mounts and get back around the bend, fleeing for their camp at Rocheport.

“Daaang!” Morgan shouted. “You see them Feds run? They’ll be to California by sundown!”

“They’ll think twice before using this road again,” laughed the Kid as he grabbed the reins of the wagon team and calmed the horses.

The horse Morgan had shot lay on its side pawing the ground, breathing in great gusts as it tried to get up. Jimmy leveled his pistol and approached, a sharp eye on the Union soldier lying slack jawed beside it. Jimmy gave the man a kick. He felt limp, unresisting. The horse made another attempt to rise but slammed back down into the dust, its coat spattered with blood where half a dozen pellets had pierced it.

“Sorry partner,” Jimmy whispered.

He aimed his pistol and closed his eyes. The crack of the shot wasn’t loud enough to drown out the sound of the horse’s head thudding into the dirt.

Jimmy let out the breath he’d been holding and turned around before opening his eyes. He swallowed to steady his voice and called out to a pair of lanky boys who’d emerged from the woods, looking as alike as two halves of a split log.

“Hugh, Albert, fetch your horses and ride down a ways to keep a lookout. Morgan, check that wagon. Kid, you help him. Elijah, what in hell you doing?”

“What I always do,” Elijah said as he waved his hands over the dead body of one of the riders, making strange signs with his fingers. After a moment he pulled a dirty bottle from the inside pocket of his overcoat. He uncorked it and put the opening close to the mouth of the dead man, whispering:

“Come to me, come to me, your immortal soul shall never be free.”

“Elijah,” Morgan called out as he rummaged through the wagon, “you are one sick son of a bitch.”

Elijah corked the bottle and stood up, his grin showing a broken front tooth.

“Come say that over here,” he invited.

Morgan mumbled something Jimmy couldn’t catch, lowering his head so the brim of his hat covered his eyes, and continued to search the wagon.

Jimmy shook his head and checked his pistols. Three shots gone from each. He pulled a pair of fully loaded ones from the deep pockets on the sides of his loose shirt and put them in his holsters. He put the used ones in the pockets. No time to reload them now. They needed to get any munitions they could find from the wagon and be gone. Jimmy ran to fetch his rifle as the twins rode out from the brush. Hugh headed down the road in the direction of Rocheport while his brother Albert went the other way toward Columbia.

Jimmy picked up his rifle and wiped a bit of dirt from the stock. It was a Sharps, the finest made, taken off a Kansan he’d killed a few months back. He slipped a cartridge into the breech and slung it over his shoulder as he sauntered back toward the wagon.

“We want their guns, Captain?” the Kid asked.

Jimmy smiled. He liked the Kid. Only fourteen but a fine shot and a fine rider, and the only one who called him “Captain.”

“Naw,” Jimmy replied. “Them Springfields are no good for our type of fighting, and we don’t want these here government nags neither. You keep checking that wagon.”

A second later Morgan let out a whoop and raised a barrel over his head.

“Powder!” he shouted.

“Just one barrel?” Jimmy asked, running over to him.

“Yep, but big enough to blow a blockhouse if we set it right.”

“Good, anything else?”

“Only commissary stores, Captain,” the Kid said.

“No percussion caps?”

“Nope.”

“Hey, Jimmy?” Elijah’s voice came from beneath the wagon.

Jimmy bent down.

“What you skulking down there for?” he asked.

Elijah patted the wagon driver’s corpse on the shoulder. Blood trickled from holes in the soldier’s throat and stomach.

“’Cause that’s where he is.”

“Quit fooling around and help,” Jimmy said.

Elijah waved the dirty bottle.

“Oh, I’m helping, don’t you worry on that score. But I got a question, Jimmy. I gave him this slug in his belly as he fell, so I got a claim on him despite you plugging him too. But you see, the soul comes out of the mouth, and you done given him another one. Which one should I hold the bottle up to?”

Jimmy grimaced and stood up without answering.

“It’s all right,” Elijah continued. “I’ll hold it up to the hole you made in his throat. It’s closer to the heart. Come to me, come to me, your immortal soul shall never be free.”

Morgan jumped off the wagon, the barrel of gunpowder tucked under his arm. The Kid opened a few more boxes and sacks before turning to Jimmy.

“Nothing else but hardtack and tinned beef here, captain. Grandma Wyatt will cook us up something better than that.”

Elijah crawled out from under the wagon and stood up. He grinned and held the corked bottle in front of Jimmy’s face. Jimmy flinched, then cursed under his breath. He had promised himself he wouldn’t do that.

“That makes nine,” Elijah said. “Only four more to go.”

Before Jimmy could reply a pistol shot rang out in the distance. He spun around. It had come from the direction of Columbia. Everyone drew their guns. Elijah tucked the bottle inside his shirt, drew a pair of pistols, and began to whistle.

Out of the shimmering haze a figure rode into view. In a moment they saw it was Albert. A black line appeared in the distance behind him, seeming to float in the heat rising off the road. It separated into silhouettes and resolved into a column of blue-uniformed riders.

“Into the woods!” Jimmy shouted.

Albert slowed his steed and headed into the underbrush while Jimmy and the rest hurried for the tree line.

The two Union officers in front fired their revolvers. A bullet snapped into the front of the wagon, making the team of horses rear. With a steady hand Jimmy aimed a pistol at the soldiers as the dusty road filled with the roar of gunfire.




Saturday, November 5, 2011

NEWSLETTER CONTACTS…

4 - Two MoonsIf you would like to be included in my newsletter list, please email me at mmeador@minnettemeador.com and I’ll make certain you get added. I only send out newsletters when I have new releases or upcoming events and you can opt out anytime you want…

Thanks! Minnette

Saturday, October 15, 2011

The Experiment - Audio Clip of The Bell Stalker

THE BELL STALKER - Excerpt
an urban fantasy thriller
by Minnette Meador
RELEASE DATE: October 26, 2011
Resplendence Publishing

For a year, Belle Stark has struggled to conquer fears plaguing her since being attacked by a maniac who continues to roam free and the murder of her father. And she nearly succeeds, until she discovers her lover's murdered body spread over the furniture, making Belle a prime suspect. Certain her attacker is to blame, she seeks help from her ex-husband, homicide detective Mike Cranston, the one person she swore she would never let back into her life, or heart. In their hunt for answers, the two uncover more than a lunatic: a supernatural underworld hidden beneath the tall skyscrapers of the city and a secret that could kill them both. Faced with a terrible choice, Belle surrenders herself to the hands of a monster and Mike must solve an ancient mystery before it's too late to save her---





Saturday, October 8, 2011

Welcome to Sheila Deeth!

Please welcome my dear friend Sheila Deeth with her wonderful book, Flower Child. Her writing will touch you deeply and leave behind an electric warmth...

About Flower Child: When Megan miscarries her first pregnancy it feels like the end of everything; instead it’s the start of a curious relationship between the grieving mother and an unborn child who hovers somewhere between ghost and angel. Angela, Megan’s “little angel,” has character and dreams all her own, friends who may or may not be real angels, and a little brother who brings hope to her mother’s world. But Angela’s dream-world has a secret and one day Angela might learn how to be real.


Where to find Flower Child:  



Flower Child begins with a mother remembering the story her mother told about where babies come from. Megan didn’t comprehend the story too well. Neither did I when my mother told me, and this first paragraph could just as well have been dictated by me. But Megan’s not me. She listened to the words in my head then took over and told her own tale…

My mother swore she’d never lie to me. The day I asked where babies come from she told me, beautifully I’m sure, how they grow and mature from a seed planted by Daddy in Mommy’s tummy. Unfortunately I heard the word “seed” and imagination took over. I furnished a field, somewhere between the Pearly Gates and a farmer’s fences on solid earth. Angels stood guard, checking marriage certificates—since I knew some babies were born out of wedlock, I imagined devils too, with a thriving business selling fakes. Meanwhile one special angel, the baby’s future guardian of course, would officiate while the precious seed was gently laid to rest. God would water. Earth and angels would nourish. And in time the happy couple would return, cutting the cord that held the child to the ground and raising her up—a sister for me!
I never had a sister, of course, but I was sure she existed. I used to imagine her running between the plants, green tendrils of flowers in her hair, forever tethered to that field, unborn, unable to be born. I used to think my parents didn’t care, and if only they’d just go visit one day perhaps they’d find her there.
Not that I spent my whole life mourning those siblings I never had; that’s not what I mean. I just liked to complain. But I was a happy enough kid most of the time; grew up in a happy home; had a Dad who didn’t die ‘til I was sixteen, so I wasn’t exactly orphaned or anything; and Mom’s still around. I played with friends; scrambled through forests and flowers, free as a bird, like kids can’t do now; I read books; I went to school and I grew up.
My husband David was a fellow math student I met at college lectures. I went out with him for a while and we got married after graduation—all the usual things; Uncle Malcolm escorted me down the aisle to the sound of Here Comes the Bride; and we both got jobs.
Happily married, contentedly productive in my chosen occupation—writing computer programs—but sadly unproductive in that manner husbands and wives, and potential grandparents, tend to hope for, I trundled along, one day much like another, and lived for my dreams. One day I found myself pregnant and glowing, only to be totally devastated short weeks later when the unborn baby died. I slept and screamed and wept for her, my little girl, and drove my husband to distraction. Then, in a moment’s incautious clarity, I was cured. What happened was I found those childhood dreams weren’t really so far from the truth, and I don’t care if you don’t believe me. Mom thinks I’m mad, Uncle Malcolm tries to humor me, and David just pretends not to hear a word I say. But there are more things in heaven and hell than human eyes and ears can tell, and I first stopped crying the day I met my angel, Angela.


I’d often wondered what it would be like to remember being born, or even remember a time before birth. The character, Angela, in Flower Child has all those memories and more, and starts to share them in this passage. Of course, her pre-birth time is spent in a mystical garden as well as in the womb…

My earliest memories are a mixture of red and green—red for sleeping; green for awake. Nighttime was when I heard dream voices call and oceans roar. Words weren’t something I understood, too early then I guess, but love was sweet. Sometimes she sang to me in her summer’s light while that darker voice, warm as the liquid I bathed in, whispered its bass.
The roar, I guessed after a while, was just the sound of fluid surrounding me. It tasted salty sweet and filled my eyes and mouth and ears. My body would move sometimes, pushing wetly against those cushioned walls that held firm, yet yielded, all around. Then, once in a while, something would lean into me, rocking me with that voice of love. “Feel that? She kicked.” The words carried delight in their singsong tone; I’d wriggle again and push against the pressure, kicking I guessed, whatever that meant, feeling the weight of affection pressed against elbow, ankle or knee.
In the green of waking up I imagined my dreamtime voices belonged to heroes, mystical guardians of my fate. I longed to see them, connecting their sound with the shadows that sometimes swam through the glow of my growing. I learned to reach out when they were close, waiting for that touch, that sound of joy, wondering if there were a way to forever hold such pleasures and more. But then the green would surround me again, its milk scented with hay. Leaves formed a sweet cocoon to shield my eyes from sun’s red rays. Angels, white as light, trod paths and cleared the scrub away, keeping insects that buzzed and hummed safely distant from newly formed souls. Warmth and dampness poured over me, pumped through my veins while tiny limbs budded fingers, legs and arms, and bending head. In the real world I thought I’d grow up to be an angel; in the dream-world I’d rather be man, or woman, or hero.
The leaves cocooned me in eternal green while dream-walls filtered red. But the angels were bright enough to shine with their own light, human shapes that wandered between us like shadows in reverse. They were my keepers of the gates…

About the author: Sheila Deeth grew up in the UK andhas a Bachelors and Masters in mathematics from Cambridge University, England. Now living in the States with her husband and son, she enjoys reading, writing, drawing, telling stories, running a local writers' group, and meeting her neighbors’ dogs on the green.

Sheila describes herself as a Mongrel Christian Mathematician. Her short stories, book reviews and articles can be found in VoiceCatcher 4, Murder on the Wind, Poetic Monthly, Nights and Weekends, the Shine Journal and Joyful Online. Besides her Gypsy Shadow ebooks, Sheila has several self-published works available from Amazon and Lulu, and a full-length novel under contract to come out next year.

Find her on her website: http://www.sheiladeeth.com
or find her books at: http://sheiladeeth.weebly.com

A new release out now from our own Jayna Da Silva, a very talented author.! Check it out... xoxo M;o) In California's Sierra Nevadas, wh...